Your camera is actually nothing more than a box with a hole in it. Yes, all that money you have spent and that is basically what you’ve got.
The basics of a camera have changed very little since day one. You have a box with a hole in it and you control how much light is allowed into it.
The best part about these newer cameras is that they can think for you. These settings are just the shutter and the aperture.
You merely have to write the shot and push a button. This works well for the most part. But, you didn’t spend all of that money to allow the camera to do all of the work for you, did you?
These cameras have manual settings, also. These settings allow for imagination and for you to override the auto settings that the camera has already selected for you. I’m going to let you in on a little-known secret; that camera, as smart as it is, does not always get it right! Sometimes, you will need to override its settings. Actioncam Thailand offering products and support information for Action Cam Movie Creator.
Other times, you will decide to override its own settings. This article will show you the way you can do just that, in addition to giving you some examples and/or conditions as to when it might be necessary. If you are searching for Actioncam stickkie monopod for sjcam (silver) visit online wbsites.
ISO, determines how sensitive your camera is to light. Remember, however, the higher the ISO, the more noise you may introduce into your picture. This is the ideal setting.
However, this isn’t always possible. Let us say that you are inside, at an event, ISO 100 will probably not work very well. Meaning, it won’t allow you to hand hold your camera at 1/60th or higher. We’ll cover more on that later.
So, what you need to do is start booting up your ISO. Try 200, then 400, etc., until you can attain a shutter which you can hand hold. Most cameras, today, are much better with sound. Using an ISO of 800 can still produce decent quality, clean pictures.
An ISO of 1600 can even surprise you with nice quality. I recently did a take, in The Kentucky Derby Festival Balloon Glow, where I was shooting at ISO 1600, and I was impressed with the results.